Audio Branding: The Hidden Gem
with Jodi Krangle
Fast forward to 1993. Through gaming (Dungeons and Dragons, to be exact), I was introduced to “Filk” music—the music that’s played at science fiction/fantasy conventions. In 1994, I joined two friends from the fandom world to form an acoustic band called Urban Tapestry. In our time together, we’ve headlined at music conventions in Canada, the U.S., and Europe.
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Here are some fun facts about me:
* I was honored to be the Winner of the 2018 SOVAS Award for Outstanding Narration Demo. (That's the voice over Academy Awards. 😉 )
* I’m a filker! My all-female, acoustic band, Urban Tapestry is pretty well-known in the Filk scene (science fiction- / fantasy-themed music).
* I’m a self-taught computer nerd. I sold computer hardware back when the 386SX was shiny and new. (Wow, am I showing my age!)
* My love of computers led to my discovery of this mind-blowing thing called the internet back in the early 1990s. That led me into web design and the creation of a songwriting resource called The Muse’s Muse that I ran from 1994 until 2016.
* I started doing search engine optimization and internet marketing work back when banner ads were all the rage. (I’m getting older by the second . . . )
* If I could have a chip in my head keeping me connected to the Internet, I’d totally do that. I’m just about constantly connected (which is how I’m able to respond to emails so quickly)!
In case you’re wondering, yes, I’m a grown woman who (still) loves comic books and D&D. Think of me as a smart, wry, Tina Fey-like, post-apocalyptic warrior princess leading an army of Dr. Who and Firefly fans in an epic battle cry.
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"If you're not paying as much attention to the way your brand sounds as you are to the way it looks, you're doing it a disservice and not making as deep a connection with your audience as you could."
-Jodi Krangle
I’ve done voiceovers in the healthcare, corporate, hospitality, political, and non-profit sectors, among others. I tend to stick to the commercial and corporate narration lane of voice overs - and my ultimate goal of making other people money with my voice, led me to discussing audio branding - something I knew I was contributing to with my voice.
My highly satisfied clients include Dell, Bose, BBVA, Subway, Mitre, Unisom, Joe DiMaggio Children’s Hospital, Kraft, Travel Alberta, HGTV, and more.
I also happen to have some folks listening who are fellow voice talent wanting to understand more about the larger picture their voices are contributing to. But I also reach people who are just interested in the subject of how to understand how sound affects us in our daily lives.
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Voice overs are what I love (I've been doing this over 15 years full time now) - but I also want to do my best to raise all boats for those of us who work in sound. Audio shouldn't be the after thought in a production - and it often is. It's unfortunate - because paying attention to the sound early on - making it equally as important as the visuals - can make a so so production into something truly outstanding - because it'll reach us on a deep, emotional level. (You think I'm making this up? Try watching a movie without the sound on and see how emotionally invested you are in what's happening on the screen. Not much, am I right? I'm not a horror fan. If I turn off the sound on a horror movie, I can watch it just fine. 😉 )
“Don’t just produce a single ad, produce three or four ads that are all related to each other in a campaign, because you get that familiarity, you get that consistency, you get that storytelling narrative that spans a single spot and starts to reach across the entire campaign, and it’s consistent across touchpoints. But then when it comes to the sound, they don’t apply exactly the same rationality. And it’s just because we haven’t had the data that supports it. But now that we do, we can push it into the marketplace and hopefully start to support a very different decision-making process when it comes to sound in branding or sound in advertising.” – Joe Sauer
This episode is the second half of my conversation with audio research pioneer and founder of Emotisphere Insights Joe Sauer as we talk about setting the right audio budget for both moviemaking and advertising, striking the perfect balance between making an exciting impression and building a brand clients recognize and trust, and what sad music reveals about humans and AI.
As always, if you have questions for my guest, you’re welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com where you’ll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available and what the newest audio chats will be about. If you’re getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help – and I’d love to feature your review on future podcasts.
(0:00:01) – The Power of Audio Branding
Our discussion continues as we look at the audio budgets of both movies and marketing campaigns, and Joe reveals that advertising comes up surprisingly short in comparison. “If they’re spending less than half of what moviemakers are spending,” he says, “and they’re still generating audio tracks that are influencing behavior, imagine what they could do if they simply ratcheted that up a percent or two.” Joe tells us about some of the famous sonic branding projects he’s worked on, such as adapting AT&T’s famous audio logo to a global market. “Over the course of what felt like decades but was really several months,” he recalls, “we accomplished the task. We were able to reposition that brand effectively through sound, without losing any of the recognizability or the durable memorability.”
(0:12:58) – The Evolution of AI in Research
We discuss AI’s emerging role in research and how often branding becomes a balancing act between making a big splash and feeling like an old friend. “One of the things that we’ve learned through doing this type of research,” Joe explains, “is the extent to which familiarity, particularly with sound, but it extends to all forms of sensory input, familiarity really does lift emotional appeal.” He shares the example of an audio branding campaign for NPR he developed that had to strike the right chord between exciting and familiar, and the neuromarketing studies that made predicting success possible. “That conscious response had turned to positive once people got familiar with it,” he tells us, “but it accomplished the behavioral outcome that we were hoping, which was their demographics started to broaden and they started to get regular listenership from a younger demographic.”
(0:20:02) – Branding in a Changing World
As our conversation comes to a close, we talk about how the pandemic’s demand for a more somber approach to advertising ended up backfiring for many companies, and about one company that managed to stay ahead of the curve. “McDonald’s was out, way out in front of this,” Joe says, “and if you think about their logo, it’s very bouncy – ba dum dum da dum – you know? And a lot of their variations… really leaned into that bouncy, joyful, happy, carefree, insouciant type of feeling.” We discuss some of his latest projects, how AI data is transforming his research process, and what Joe calls the “tragedy paradox,” or AI’s tendency to see melancholy songs as bad just because they’re sad. “We’re looking at all sorts of different ways to implement AI on the research side,” he says, “just as musicians are on the music side, but we still haven’t found any substitute that challenges the fundamental precept upon which the industry is built, which is that you have to be human to have emotions.”
Episode Summary
- Sound’s often-underestimated power in storytelling and consumer decision-making.
- The challenge of bringing a sonic brand to new audiences while preserving its core identity.
- What COVID and the growth of AI have taught us about emotional branding.
Connect with the Guest
Connect with the Audio Branding Podcast:
Book your project with Voice Overs and Vocals by visiting https://voiceoversandvocals.com
Connect with me on Instagram – https://www.instagram.com/jodikrangle/
Watch the Audio Branding Podcast on YouTube – https://www.youtube.com/c/JodiKrangleVO
Connect with me on LinkedIn – https://www.linkedin.com/in/jodikrangle/
Leave the Audio Branding Podcast a review at https://lovethepodcast.com/audiobranding (Thank you!)
Share your passion effectively with these Tips for Sounding Your Best as a Podcast Guest!
https://voiceoversandvocals.com/tips-for-sounding-your-best-as-a-podcast-guest/
Get my Top Five Tips for Implementing an Intentional Audio Strategy
https://voiceoversandvocals.com/audio-branding-strategy/
Editing/Production by Humberto Franco – https://humbertofranco.com/
This podcast uses the following third-party services for analysis:
OP3 – https://op3.dev/privacy
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